Beskrivelse
FS-HDR
Real-time HDR/WCG Conversion with Colorfront Engine™ Video Processing
FS-HDR, a 1RU, rack-mount, universal converter/frame synchronizer, is designed specifically to meet the HDR (High Dynamic Range) and WCG (Wide Color Gamut) needs of broadcast, OTT, post and live event AV environments, where real time, low-latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by Colorfront Engine™ proprietary video processing algorithms.
FS-HDR also serves as a full, 1-Channel up, down, cross-converter for 4K/UltraHD/2K/HD HDR transformation, conversion and frame sync needs and in 4-Channel mode, offers 4 independent channels of 2K/HD conversion including HDR transformations.
Real Time HDR Converter
The pursuit of High Dynamic Range (HDR) is the dream of getting closer to the Human Visual System (HVS) in all that we experience as viewers. FS-HDR has been designed to get us all there faster with a low profile, stand alone and real time device uniquely designed to bridge SDR to HDR, HDR to SDR and HDR to HDR,
all in real time.
HDR Conversions:
• HDR to HDR
• HDR to SDR
• SDR to HDR
WCG Conversions:
• BT.709 and BT.2020
Up and Down Conversions:
• Converting HD SDR BT.709 sources to UHD HDR BT.2020
• Converting UHD HDR BT.2020 sources to HD SDR BT.709
Colorfront Engine™
Maintaining Perceptual Integrity
FS-HDR’s HDR/WCG capabilities leverage video and color space processing algorithms within Colorfront Engine™, specially-licensed by AJA from Colorfront, and developed by Colorfront’s CTO Bill Feighter and Lead Engineer Tamas Perlaki, both of whom are Academy Award-winners.
Powered by Colorfront Engine, FS-HDR’s extensive HDR and WCG processing support enables real time processing of a single channel of 4K/UltraHD/2K/HD including down-conversion to HD HDR or up to four channels of 2K/HD simultaneously. FS-HDR also enables the conversion of popular camera formats from multiple vendors into the HDR space, plus conversion to-and-from BT.2020/BT.709 as needed, critical for the widespread acceptance of HDR alongside SDR in broadcast and OTT workflows.
Realtime Camera LOG Conversions
FS-HDR can take incoming imagery from some of the most popular professional cameras in the world today and convert their LOG output in realtime to 4K/UltraHD or 2K/HD and output as either HDR or SDR. This greatly simplifies workflows in a mixed camera environment and provides for a unified input workflow to HDR or SDR capable switchers and more. Additionally, FS-HDR provides the ability to convert to Sony S-Gamut/S-Log3 on output from any of these sources for workflows requiring this Log feed to compatible switchers and more.
• Sony S-Gamut3/S-Log3
• ARRI LogC Wide Gamut
• Panasonic Vlog
• Red Log3G10 Wide Gamut
• Canon Log2
• Canon Log 3
Inputs: Dynamic Range/Color Gamut
• SDR BT.709 100 Nits
• PQ BT.2020 1000 Nits
• PQ P3D65 1000 Nits
• Hybrid Log Gamma BT.2100
• Sony S-Gamut3/S-Log3
• ARRI Log C Wide Gamut
• Panasonic V-Log
• RED Log3G10 Wide Gamut
• Canon Log 2
• Canon Log 3
Outputs: Dynamic Range/Color Gamut
• SDR BT.709 100 Nits
• PQ BT.2020 1000 Nits
• Hybrid Log Gamma BT.2100
• Sony S-Gamut3/S-Log3
HDR Workflows for UltraHD and HD with FS-HDR
FS-HDR opens a range of exciting possibilities for the integration of HDR within a range of workflows
• Converting from a house HDR standard to a delivery HDR standard.
• Converting from a camera OETF to a house HDR standard.
• Converting from HDR standard to SDR for delivery or monitoring.
• Converting SDR camera output to a house HDR standard.
• Converting SDR sources to HDR for integrating into an HDR program
• Converting HD SDR BT.709 sources to UHD HDR BT.2020
• Converting UHD HDR BT.2020 sources to HD SDR BT.709
• Converting source inputs to Sony S-Gamut3/S-Log3
Single-Channel Mode
Bulletproof Reliability. Incredible 4K/HD Conversion Power.
4K/UltraHD delivery, processing and synchronization is fast becoming the next standard, and FS-HDR gets you there with a wealth of digital video connectivity including Quad 1.5G, Dual 3G, Quad 3G over 3G-SDI and 12Gb/6Gb over optional 12G-SDI BNC and 12G-SDI LC Fiber SFP modules.
In single channel mode, FS-HDR will up scale your HD or SD materials to 4K/UltraHD and back, with a huge array of audio channels over Fiber,
3G-SDI, AES, and MADI for an incredible 272 x 208 matrix of audio possibilities.
In Single-Channel HDR processing can be performed on true 4K or UltraHD signals and up, down, cross-conversion is available for HD HDR
or HDR SDR needs from an UltraHD source.
Four-Channel Mode
Welcome to Multi-Channel HD HDR Processing.
In four channel mode FS-HDR provides incredibly powerful multi-channel conversion with up to 4 channels of simultaneous HDR processing for 2K/HD and SD signals. Powerful conversion processing also allows Region of Interest (ROI) scaling, color correction, proc amp controls, motion adaptive deinterlacing and much more.
In 4-Channel mode you can also bring in a single HD source and process four separate outputs from it, each with their own HDR/SDR transformations.
Multi-channel density in a 1RU Chassis. Space, energy and power
possibilities preserved.
FS-HDR Key Features
• HDR to HDR, SDR to HDR and HDR to SDR conversions for Dynamic Range and Wide Color Gamut needs.
• Support for two modes:
– Single-channel mode for 4K/UltraHD or 2K/HD frame sync and conversion including HDR conversions
> 4K/UltraHD/2K/HD/SD video processing and up, down, cross-conversion
> A full range of I/O options for 4K/UltraHD including Quad 1.5G; Dual 3G; and Quad 3G, 6G and 12G over a range of SDI and optional fiber choices
> SMPTE 2SI I/O support for broad compatibility with 4K/UltraHD devices
– Four-channel mode for simultaneous independent 2K/HD/SD channels including HDR conversions
> 2K/HD/SD up, down, cross-conversion
> SD/SD aspect ratio conversion
> HD/HD cross-conversion (720p/1080i)
• Widely interoperable with 4K/UltraHD/2K/HD raster support, Quadrants and 2SI conversion, P, PsF and Interlace support
• A 1RU frame offering space, power and cost efficiencies ideal for broadcast trucks, post production or broadcast settings
• Audio I/O processing with a 272×208 matrix of audio possibilities; support for a flexible range of audio feeds from discrete AES to MADI and embedded SDI audio, with each audio input offering sample-rate conversion
• Simple operation, a redesigned menu structure and quick access to features via front panel buttons, as well as a web-based UI offering control over a LAN or across the web
Technical Specifications
HDR/WCG Processor with Colorfront EngineTM
Processing Based on Human Perception Model
Perceptually optimized color volume remapping
Preserves the original creative intent
Input Dynamic Range/Color Gamut
SDR BT.709 100 Nits
PQ BT.2020 1000 Nits
PQ P3D65 1000 Nits
Hybrid Log Gamma BT.2100
Sony S-Gamut3/S-Log3
ARRI Log C Wide Gamut
Panasonic V-log
RED Log3G10 Wide Gamut
Canon Log 2
Canon Log 3
Output Dynamic Range/Color Gamut
SDR BT.709 100 Nits
PQ BT.2020 1000 Nits
Hybrid Log Gamma BT.2100
Sony S-Gamut3/S-Log3
HDR Conversions
HDR to HDR
HDR to SDR
SDR to HDR
Colorimetry
Supports BT.709 and BT.2020
Mode of Operation
Four Independent 2K, HD, or SD Video Processors
One 4K, UltraHD, 2K, HD, or SD Video Processor
Video Formats
(4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97, 30
(2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1920 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1920 x 1080PsF 23.98, 24, 25, 29.97, 30
(HD) 1920 x 1080i 50, 59.94, 60
(HD) 1280 x 720p 50, 59.94, 60
(SD) 625i 50
(SD) 525i 59.94
YCbCr, 4:2:2, 10-bit
Video Input Digital
4 x 3G-SDI inputs, 4 x BNC
4 x 3G-SDI inputs, 4 x Fiber or HD-BNC (optional SFP modules)
SFP fiber modules, 3G-SDI, dual LC, single LC, or single SC, SMPTE-297
SFP fiber module, 12G/6G-SDI, dual LC, SMPTE-297
SFP coax module, 12G/6G-SDI, dual HD-BNC
12G/6G/3G/HD/SD, SMPTE-259/292/424/2081/2082
Single Link 12G/6G-SDI (with optional SFP module)
Quad Link 3G-SDI Level A or B-DL (4 x 3G), SMPTE-425-5
Dual Link 3G-SDI Level B-DS (2 x 3G), SMPTE-425-3
Single Link 3G-SDI Level A, B-DL, or B-DS, SMPTE 425
Quad Link HD-SDI (4 x 1.5G)
Dual Link HD-SDI (2 x 1.5G), SMPTE-372
Single Link HD/SD
Quadrant (Square Division) or 2SI (Two Sample Interleave) 4K/UltraHD input pixel mapping
8 x 1 selector feeds video processor(s)
Video Output Digital
4 X 3G-SDI outputs, 4 x BNC
4 x 3G-SDI outputs, 4 x fiber or HD-BNC (optional SFP modules)
SFP fiber modules, 3G-SDI, Dual LC, Dual LC CWDM, Single LC, or Single SC, SMPTE-297
SFP fiber module, 12G/6G-SDI, dual LC, SMPTE-297
SFP coax module, 12G/6G-SDI, dual HD-BNC
12G/6G/3G/HD/SD, SMPTE-259/292/424/2081/2082
Single Link 12G/6G-SDI (with optional SFP module)
Quad Link 3G-SDI Level A or B-DL (4 x 3G), SMPTE-425-5
Dual Link 3G-SDI Level B-DS (2 x 3G), SMPTE-425-3
Single Link 3G-SDI Level A, B-DL, or B-DS, SMPTE 425
Quad Link HD-SDI (4 x 1.5G)
Dual Link HD-SDI (2 x 1.5G), SMPTE-372
Single Link HD/SD
Quadrant (Square Division) or 2SI (Two Sample Interleave) 4K/UltraHD output pixel mapping
Monitor Output Digital
1 x BNC, 1 x 3G-SDI output
3G-SDI/HD/SD, SMPTE-259/292/424, 10-bits
1 x HDMI, 1 x HD output
2K/HD/SD, HDMI v1.4a
No HDR Infoframe generation
Monitored Video Processor output (video and audio) is simultaneously output on both connectors
4K/UltraHD down-converted to 2K/HD
Crop control on HDMI output
Video Processing
Motion adaptive deinterlacer
Proc amp controls
Color corrector
Legalizer
Frame rate conversion/film cadence removal/insertion (3:2, 1:2, 2:1, 2:3)
Adjustable delay 0-6 frames with H and V timing controls in lines and pixels
Closed Captioning conversion (CEA-608/CEA-708)
AFD input detection, down-convert control, and output pass through or overwrite
Freeze (manual or on input signal loss) to black or last good frame
Matte generator for background fill
Video test generator
Nominal video delay HD/SD, 2 frames (LFR), 4 frames (HFR)
Format Conversion Convert any supported input format to any supported output format, within the same frame rate family. These three families are:
59.94, 29.97, 23.98
50, 25
60, 30, 24
Scaling Supported in 2K/HD/SD formats
Zoom in and out
Reposition
Region of Interest (ROI)
Up-Conversion
Hardware 10-bit
Zoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side bars
Zoom Letterbox: results in image zoomed to fill fullscreen
Zoom Wide: results in a combination of zoom and horizontal stretch to fill a 16:9 screen; this setting will introduce a small aspect ratio change
Down-Conversion
Hardware 10-bit
Anamorphic: fullscreen
Letterbox: image is reduced with black top and bottom added to image area with the aspect ratio preserved
Crop: image is cropped to fit video output format
Aspect Ratio Conversion for SD to SD
Letterbox: Transforms SD anamorphic material to a letterboxed image
H Crop: Produces a horizontally stretched effect on the image; transforms anamorphic SD to full frame
SD Pillarbox: Produces an image in the center of the screen with black borders on the left and right sides and an anamorphized image in the center
V Crop: Transforms SD letterbox material to an anamorphic image
Audio Input Digital
48 kHz sample rate
8 x SDI embedded inputs (16-Channels each)
128-Channels, 24-bit (20-bit SD), SMPTE-272/299
8 x balanced AES inputs (16-Channels), 1 x DB-25
16-Channels, 24-bit, AES-3
2 x MADI inputs, 1 BNC, 1 x ST Fiber
128-Channels, 24-bit, AES-10
Audio Output Digital
48 kHz sample rate
1 x SDI embedded output per Video Processor (16-Channels each)
16-Channels (in single Video Processor mode), 24-bit (20-bit SD), SMPTE-272/299
64-Channels (in four Video Processor mode), 24-bit (20-bit SD), SMPTE-272/299
8 x balanced AES outputs (16-Channels), 1 x DB-25
16-Channels, 24-bit, AES-3
2 x MADI outputs, 1 BNC, 1 x ST Fiber
128-Channels, 24-bit, AES-10
Audio Processing
277 x 208 mono audio matrix, route 1 to 1, 1 to many
Inputs: 128 embedded, 16 AES, 128 MADI, 2 stereo mixdowns, 3 tone generator
Outputs (Four Channel mode): 16 AES, 128 MADI, 64 embedded
Outputs (Single Channel mode): 16 AES, 128 MADI, 16 embedded
Input adjustment controls for each channel
Gain +18 to -18 dB in 0.5 dB steps
Phase invert
Input adjustment controls for each channel pair
Delay -16ms to +1sec in 20.8 us steps
Two independent 5.1 or 7.1 to stereo mixdown processors with gain adjust
High quality Sample Rate Conversion supported on all audio inputs
SRC bypass for non-PCM audio (e.g. Dolby E, AC-3, etc)
Audio tone generator (mute, 400 Hz, 1 kHz)
Reference Input External, 2 x BNC
Looping, nonterminating
Blackburst or tri-level sync
Genlock
Lock to External Reference
Lock to SDI input 1 thru 8
Free run based on Temperature Compensated Crystal Oscillator
Network Interface
1 x RJ-45, 10/100/1000 Ethernet
Embedded web server for remote control
SNM
User Interface
Display
Keypad with status LEDs
Two rotary/push knobs
Comprehensive alarm indicators
Presets Each mode supports 40 Presets
GPI
1 x 25-pin D-Connector
Four optically isolated GPI inputs
Four optically isolated GPO outputs
Size (w x d x h)
7.9 lb (3.6 kg)
Power
100-240 VAC 50/60 Hz (Dual, redundant power supplies), 55W typical; 70W max.
Environment
Safe Operating Temperature: 0 to 40 degrees C (32 to 104 degrees F)
Safe Storage Temperature (Power OFF): -40 to 60 degrees C (-40 to 140 degrees F)
Operating Relative Humidity: 10-90% noncondensing
Operating Altitude: <3,000 meters (<10,000 feet)
